"Having worked with numerous excellent speakers in various studios, I can say that the Ex Machina Pulsars bring monitoring to another level. From recording, mixing, mastering projects for independent artists or TV series (The Gilded Age, Your Friends and Neighbors…), the Pulsars can take every genre of music and play it back with incredible detail and stereo imaging . The depth and clarity of the low end, definition of the mid range, precision of the highs are very well balanced at any level and you can stay focused and creative for longer periods of time without ear fatigue."
About
Patrick Derivaz
Patrick Derivaz trained in bass, harmony, and electroacoustic composition at the Conservatoire d'Aix-en-Provence before settling into a recording and mixing career based in Brooklyn. Working through his own PAD Production setup, he has recorded, mixed, or produced projects with musicians including John Cale, Tom Verlaine, Jeff Buckley, Joe Zawinul, and Philip Glass, and has contributed to albums, films, and commercials that include Gold and Platinum-certified releases. His recent work moves fluidly between genres and mediums: in 2020 he mixed two tracks on SUSS's pandemic-era Northern Spy Records album Promise, and in 2021 he recorded and mixed the score for the short film We Were an Island. He went on to serve as music mixer across eight episodes of Paramount+'s Dexter: Original Sin, and worked as recording engineer on the 2022 podcast series Anthem: Homunculus.
Selected Credits
Keep The Meter Running
Stephen Flinn, Bruce Eisenbeil, Tony Wren
We Were an Island
Anthem: Homunculus
Dexter: Original Sin